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Basic Definnition

A story, can be spoken or written. It is simple an

 account of events, either real or imagined. Stories

 always have a purpose of any story can be divided

 into two basic categories:

Stories that entertain the reader;

Stories that are meant to teach the reader, or

 explain a worldly concept.

Many traditional stories were designed to teach.

 Below are three basic kinds of traditional stories

 that were meant to teach or explain a worldly

 concept. These three kinds of stories are not the

 only types of stories. In fact, most modern stories

 do not fit into any of these three categories

.

Three types of traditional short stories:

Myths

 

Fables

 

Parables

Myths - single stories without basis in fact or

 history. Myths, also known as legends, express

 spiritual or religious aspects of existence (the world

 around you / the character

 

In ancient times people told these stories to provide

 order and meaning to their world

.

For example, Greek and Roman mythological stories

 of goods, goddesses, love, war, and famine are

 myths.

Folk tales, folklore, fairy tales and fables- stories

 that originated in different cultures, usually during

 a time when religion was dominant in the lives of

 the people. Often their purpose was to give a

 lesson. Such stories can touch a deep psychological

 truth about human nature and emotional growth.

 Paul Bunyan and his blue ox named Babe, herbal

 remedies, midwives` tales, and the brothers

 Grimm Fairy Tales are all examples of stories

.

Parables- very short fictional stories  that  teach a

 moral or religious concept. Parables compress

 ideas and actively involve critical thinking skills.

 These brief concise stories are the favorites of Zen

 masters. These are many parables in the Bible;

 these are often taught to children because of their

 simple plots and moral lessons.

 

Analyzing Stories

 

We analyze fiction in order to

 

 

.Enjoy the art of reading

 

.Understand subtle meaning

 

.Learn to form an opinion

 

.Gain knowledge

 

.Become a better reader

 

To become adept at analyzing a story, long or

 short, the reader needs to become familiar with

 

:The Elements of Storymaking

 

*structure

 

*plot

 

*setting

 

*character

 

*characterization

 

*theme

 

*point of view

 

*social and economic factors

 

*symbolism

 

*irony

 

-         Structure: the “shape” of the plot line. The

 way the action is organized. The structure gives

 the internal and external framework for each story

 

 framework- marked by change of seasons,

 passage of time, yearly cycle, time of day, life

 cycle, changes in weather, phases of social

 relationships, and changes in location

.

external framework- marked by chapter divisions or

 sections with numbers or subtitles.

 

-         Plot: the sequence of action or events in the

 story. There are four basic components to plot:

Introduction- this is the beginning of the story,

 where information is given to the reader about the

 story`s characters, location and time period

.

Conflict- this is generally  introduced near the

 beginning of the story we learn that the major

 character has a problem or conflict, either personal

 (internal) or with someone or something else

(external).

Climax- this occurs when the conflict is pushed to

 its limits, something intense, important, or climactic

 occurs, usually near the end of the story

.

Resolution- this is the continuation of the story after

 

 the climax. The resolution may answer questions

 you are left with after the climax, or it  may leave

 questions intentionally unanswered.

 

Setting – describes the scene for you by telling you

 where and when the story`s action occurs. Setting

 generally includes the time, place , and social

 environment that frames the action. The setting

  can be useful in creating a mood or evoking an

 emotion that will prepare the reader for what is to

 come (Meyer 113).in this way , the setting helps

 you to gain insight into the character`s emotions,

 conflicts and motives.

 

 

Example

Young Goodman Brown

 

“He had taken a dreary road, darkened by all the

gloomiest trees of the forest, which barely stood

 aside to let the narrow path creep through, and

 closed immediately behind. It was all as lonely as

 could be…” (National Hawthorn)

 

This description is in the beginning of the story; the

 reader does not yet know where Goodman Brown

 is going. Although Hawthorn does not specify an

 exact location in the setting, it is clear that this

 action takes place at night in the forest. More

 importantly , there is a definite sense of evil and

foreboding in his description. The fact that it is a “

dreary road” and the trees are “gloomy” leads the

reader to believe that this road will likely lead to a

 dangerous or evil place.

 

 

Character- the character(s) is the person (or

people) presented by the writer. There are two

 main types of characters

 

 

Protagonist- the hero or heroine, the main

 character in the story.

 

Antagonist- the character who opposes the

 protagonist, the person that helps cause conflict

for the protagonist

 

Example:

In the classic fairy tale, Cinderella, Cinderella is the

protagonist and her wicked step-mother is the

antagonist. In other words, Cinderella is the main

character, and her step- mother is the character

who causes conflicts for Cinderella (i.e. conflicts

such as not allowing Cinderella to go to the ball)

.

 

Characterization- the way that the author marks

that character seem real; the way the author

presents the character`s personality, behavior,

motives, values and conflicts. It is the author`s

characterization, or how the author characterizes a

specific character, that tells the reader which

character is the protagonist and which is the

antagonist.

 

Theme- the central idea of the story. The theme is

the unifying element of the story; the rest of the

literary aspects are organized in a way that

supports  and defines the theme. The theme can be

plainly written, or implied

 

 

Example:

The theme of the book of the movie, The Wizard of

Oz could be stated as: the problem solving

techniques and resources that you need in order to

defeat adversity are already within your reach and

control. If you believe that you have the strength

and ability to accomplish a goal , then you do have

that strength and ability.

 

Point of view- the perspective from which a story is

told, i.e. who tells story and how it is told. What we

know and how we react to the action and events in

the story is directly influenced by the perspective of

the narrative voice, or point of view. Some common

 

point of view are:

 

First person- the narrator uses/ to tell the story and

can either be a major or minor participant in the

action.

 

Third person- the narrator uses he, she ,or they to

tell the story and does not participate in  the action.

This narrator can have different levels of

information regarding the characters’ inner thoughts

 

Third person omniscient- the narrator uses third

person view point, but knows all of the characters’

thought

 

Third person limited- third person view point, but

the narrator only has access to the thoughts of one

or a few of the characters.

 

Objective- this  is still a third person view point (

uses he, she, or they), but the narrator does not

see into the mind of any particular character. The

 narrator reports action impartially, without telling

us what the characters think or feel.

 

Social and economic factors- these factor include

gender, age, class, race and ethnicity. They

influence the way a character behaves  and may be

the source of conflict in a story.

 

 

+ نوشته شده توسط روزبه در شنبه 14 شهریور1388 و ساعت 0:37 AM |
Hello to everybody

little bird told me, i would better talk about fiction instead of  grammer, so i do that for the people who like fiction.I`ll write about fiction next time

+ نوشته شده توسط روزبه در دوشنبه 9 شهریور1388 و ساعت 7:29 PM |
unit 3

کاربرد the

حرف تعریف the در موارد زیر استفاده میشود:

1.وقتی چیزی(یا گروهی ازچیزها)منحصر به فرد باشد(فقط یکی از آن چیز وجود داشته باشد)؛مثال:

The earth, the sea, the sky, the stars

2) وقتی اسم به خاطراین که قبلا نامش برده شده، برای شنونده شناخته شده باشد؛ مثال:

A man asked a woman the way to the museum. The woman said she didn`t know.

مردی از زنی مسیر رفتن به موزه را پرسید. آن زن گفت که راه را بلد نیست.

 

3) وقتی اسم با افزودن عبارتی یا جمله ای، معرفه و شناخته شده باشد؛مثال:

The girl in blue in blue  عبارت است

The boy that  I met that I metجمله است

4)وقتی اسم در همان محلیکه گوینده و شنونده هستند،قرار داشته باشد و بدین ترتیب مشخص شده باشد؛ مثال:

Please open the door.

لطفا در را باز کنید (در این اتاق).

 

5)قبل از صفات عالی و first و second و نیز کلمه only ,از the استفاده میشود:

بهترین روز the best day اولین هفته the first week تنها راهthe only way

6)قبل از اسامی مفرد که نماینده یک گروه حیوانات یا اشیا باشند، میتوان از the استفاده کرد(به ویژه در بحث های علمی؛ به بخش قبل c-نکته 4 مراجعه کنید).

7)قبل ازmovies,theater,cinema و radio غالبا the می آوریم ولی قبل از television نه؛ مثال:

We  went to the movies/the cinema/the theater last night.

We often watch television at night

8)همراه وعده های غذاییthe به کارنمیرود؛مثال:

What time is lunch?

We had dinner in a restaurant.

9) میتوان the را قبل از برخی صفت ها به کاربرد که در این صورت اسم جمع به دست می آید؛ مثال:

The rich  ثروتمندان

The blind نابینایان

10)قبل از برخی ملیت ها میتوان the آورد که در این حالت مفهوم مردم آن کشوررا خواهد داشت؛مثال:

the French

the British

the Dutch

درباره بقیه ملیت ها باید در انتهای کلمهs افزود؛مثال:

the Russians

the Arabs

the Italians

11)همراه home,work و bed دراصطلاحات زیرthe به کار نمی رود؛

Go to bed               go to work

Start work               be in bed

Be at work              go home

Finish work             come home

Get/arrive home      

Be (at) home

12)همراه برخی اسامی از جملهschool , college, hospital, prison, church آوردن یا نیاوردن the مفاهیم متفاوتی دارد؛مقایسه کنید:

A child goes to school

Mrs.Kelly went to the school to meet her son`s teacher.

اولی برای اینکه درس بخواند ولی دومی نه

13)قبل از اسامی آلات موسیقی کلاسیک the می آوریم؛ مثال:

The guitar          the piano

14)همراه اسامی دریاها،رشته کوه ها،مجمع الجزایر،مناطق جغرافیایی، رودخانه ها، دشت ها، هتل ها، سینما ها، حرف تعریف the می آید

اما قالبا همراه اسم قاره ها ،کشور ها ، شهر ها ،خیابان ها، دریاچه ها، the به کار نمیرود.(البته این بخش استثنا هایی دارد).

 

 

 

 

+ نوشته شده توسط روزبه در یکشنبه 1 شهریور1388 و ساعت 2:53 PM |

Unit 2

معرفی حروف تعریف Introduction to Articles

A)   تعریف: حروف تعریف شامل حروف تعریف نامعین a, an و حرف تعریف معین the  هستند.

اینها غالبا در ابتدای یک گروه اسمی (اسم با وابسته هایش) می آیند؛ مثال:

The last few days  

A very good man

My only true friend

   B ) کاربرد:

1)   حروف تعریف نامعین a, an  را با اسامی قابل شمارش مفردی به کار میبریم که برای اولین بار در باره آنها صحبت می شود؛ مثال:

We live in a small house.

I had a sandwich.

She bought an apple.

اگر کلمه پس از حرف تعریف نامعین هنگام تلفظ با حرف صدادار شروع شود از an و اگر با حرف بی صدا شروع شود، از a استفاده میکنیم(مانند مثال های بالا).

 2)حرف تعریف معین the وقتی به کار میرودکه اسم همراهش برایش شنونده شناخته شده باشد the را میتوان با همه نوع اسامی (ق،ش مفرد،ق ش جمع، غ ق ش )به کار برد؛ مثال:

     I had a sandwich. The  sandwich wasn`t good.

There  were two men outside my house. The men looked American.

He lent me some money. I needed the money.

Can you turn off the light, please?

I enjoyed the movie. Who was the director?

John wasn`t feeling well, so he went to the doctor.

c) چند نکته:

 

1.وقتی در مورد یک اسم مفرد به عنوان نماینده یک گروه صحبت میشود می توان قبل از آن an/a آورد و آن اسم را دز ابتدای جمله به کار برد؛ مثال:

A child needs love.

2.قبل از اسامی حرفه ها و برای بیان شغل یک فرد از a/an استفاده میکنیم؛ مثال:

John is a doctor. His sister is an architect.

3.همراه وعده های غذایی a یا an به کار نمی رود (مگر آن که صفت بگیرند) مثال:

 I had breakfast.

I had a large breakfast.

4.<< اسم مفرد+ the>> گاهی به عنوان نماینده یک گروه حیوانات یا چیزها به کار می رود؛ مثال:

The whale is in danger of becoming extinct

+ نوشته شده توسط روزبه در شنبه 31 مرداد1388 و ساعت 2:49 PM |

اسامی قابل شمارش و غیر قابل شمارش

اسم ها یا قابل شمارش هستند یا غیر قابل شمارش:

الف) تعریف: اسامی قابل شمارش را میتوان شمرد؛ این اسامی شکل جمع دارند و در حالت جمع غالبا در آخرشان    s جمع می گیرند؛ مثال:

Dog>>>> two dogs

Job>>>> some jobs

Girl>>>> three girl

اسامی غیر قابل شمارش را نمی توان شمرد؛ این ها شکل جمع ندارند؛ مثال:

Music, gold, blood, excitement

ب) همراه اسامی قابل شمارش مفرد a  یا an  می آوریم اما همراه اسامی قابل شمارش جمع یا اسامی غیر قابل شمارش نه(که این مطلب را در بخش بعدی توضیح خواهم داد)

پ) برخی اسامی می توانند در معانی مختلف قابل شمارش یا غیر قابل شمارش باشند؛ مثال:

Paper>>>ق ش <<< روزنامه

I bought a paper

Paper>>>غ ق ش <<<کاغذ

I bought some paper

Hair>>>ق ش<<< یک تار مو

There`s a hair in my soup

Hair>>>غ ق ش<<< مو

She has black hair

ت) اسامی زیر در زبان انگلیسی غیر قابل شمارش هستند ولی گاه در زبان های دیگر قابل شمارشند؛ بنابراین آنها را یاد بگیرید

Advice, bread, information, traffic, weather, baggage/luggage, progress, travel, work, behavior, furniture, news.


 

+ نوشته شده توسط روزبه در چهارشنبه 21 مرداد1388 و ساعت 7:30 PM |

As a bird of Paradise, this worldly trap I will hop.

In the hope of one day, being your worthy servant

Mastery of both worlds I’ll gladly drop.

May the cloud of guidance unload its rain

Before I am back to dust, into the air I rise up.

Beside my tomb bring minstrels and wine

My spirit will then dance to music and scent of the cup.

Show me your beauty, O graceful beloved of mine

To my life and the world, with ovation I put a stop.

Though I am old, tonight, hold me in your arms

In the morn, a youthful one, I’ll rise up.

On my deathbed give me a glimpse of your face

So like Hafiz, I too, will reach the top.

 

مژده وصل تو کو کز سر جان برخیزم

طایر قدسم و از دام جهان برخیزم

به ولای تو که گر بنده خویشم خوانی

از سر خواجگی کون و مکان برخیزم

یا رب از ابر هدایت برسان بارانی

پیشتر زان که چو گردی ز میان برخیزم

بر سر تربت من با می و مطرب بنشین

تا به بویت ز لحد رقص کنان برخیزم

خیز و بالا بنما ای بت شیرین حرکات

کز سر جان و جهان دست فشان برخیزم

گر چه پیرم تو شبی تنگ در آغوشم کش

تا سحرگه ز کنار تو جوان برخیزم

روز مرگم نفسی مهلت دیدار بده

تا چو حافظ ز سر جان و جهان برخیزم


+ نوشته شده توسط روزبه در دوشنبه 5 مرداد1388 و ساعت 3:36 PM |

Imagine
Imagine! Even if it is hard to imagine
A world where each person is truly fortunate
Imagine a world where money race, and power have no place
A world where riot police is not the answer to the calls for unity
A world with no nuclear bombs, no artillery, and no bombardments
A world where no child will leave his legs on land mines
Everybody free, totally free
No one in pain, no pain
You wouldn’t read in newspapers that
Such and such person committed suicide
Imagine a world with no hatred, no gunpowder
No cruelty of arrogant, no fear, no coffin
Imagine a world filled with smile and freedom
Full of flowers and kisses! Filled with up growing improvements
Imagine! Even if it is a crime to imagine so
Even if you’d lay down your life on this
Imagine a world where prison does not exist in reality
Where all wars of the world are included in The Ceasefire Treaty
A world where nobody is ‘The Boss’ of the world
People are all equal
Then each person will have an equal share in
Each single seed of wheat
No border, no boundaries
Motherland would mean the entire world
Imagine you could be the interpretation of this dream

تصور کن؛

تصور کن اگه حتی تصور کردنش سخته

جهانی که هر انسانی تو اون خوشبخت خوشبخته

جهانی که تو اون، پول و نژاد و قدرت ارزش نیست

جواب همصدایی ها، پلیس ضد شورش نیست

نه بمب هسته ای داره، نه بمب افکن نه خمپاره

دیگه هیچ بچه ای پاشو روی مین جا نمیزاره

همه آزاد آزادن

همه بی درد بی دردن

تو روزنامه نمی خونی،نهنگا خودکشی کردن

جهانی رو تصور کن بدون نفرت و باروت

بدون ظلم خودکامه ،بدون وحشت و تابوت

جهانی رو تصور کن؛ پر از لبخند و آزادی

لبالب از گل و بوسه، پر از تکرار آبادی

تصور کن اگه حتی تصور کردنش جرمه

اگه با بردن اسمش، گلو پر میشه از سرمه

تصور کن جهانی رو که توش زندان یه افسانه س

تمام جنگای دنیا شدن مشمول آتش بس

کسی آقای عالم نیست

برابر با همن مردم

دیگه سهم هر انسانه

تن هر دونه گندم

بدون مرز و محدوده

وطن یعنی همه دنیا

تصور کن تو می تونی بشی تعبیر این رویا

+ نوشته شده توسط روزبه در دوشنبه 5 مرداد1388 و ساعت 3:31 PM |

Look on beauty, and you shall see `tis purchased by the weight

The Merchant of  Venice Act III, sc. 2

زیبایی را بنگر،خواهی دید که به مقدار وزنش برایش بها پرداخت شده

Those that she makes fair she scarce makes honest;and those that

she makes honest she makes very ill-favouredly

As You Like It Act 1,sc. 2

به ندرت به کسانی که زیبایی می بخشد،عفت و پاکی می دهد و به

آن ها که عفت می بخشد چهره زیبایی نمی دهد

Love's best habit is a soothing tongue

The Passionate Pilgrim

والاترین خصلت عشق،روراست بودن است

Love's reason's without reason

Cymbeline Act IV, se, 2

عشق بی دلیل ،دلیل می آورد

Love is begun by time, and that  i see , in passages of proof, time qualities that spark and fire of it.There lives within the very flame of love a kind of wick or snuff that will abate it

Hamlet, Act IV, se, 7

عشق با زمان آغاز می شود؛و گواه این مصداق، آن است که، مرور زمان جرقه و حرارت آن را تعدیل می کند.عشق همانند فتیله ای است که در درون شعله خود ،با گذشت زمان می سوزد و از بین میرود. 

There's daggers in men's smiles

Macbeth ,Act II, SE, 3

در لبخند مردم ،خنجر نهفته است

To be slow in words is a woman's only virtue

The Two Gentlemen of Verona Act III,se , 1

از خصال نیک یک زن، آهسته سخن گفتن است

+ نوشته شده توسط روزبه در چهارشنبه 5 فروردین1388 و ساعت 4:0 PM |

 

 

 

Emily Bronte (1818-1848) was born in Thornton, Yorkshire, in the north of England. Her father, the Rev. Patrick Bronte, had moved from Ireland to Weatherfield, in Essex, where he taught in Sunday school. Eventually he settled in Yorkshire, the centre of his life's work. In 1812 he married Maria Branwell of Penzance. Patrick Bronte loved poetry, he published several books of prose and verse and wrote to local newspapers. In 1820 he moved to Hawort, a poverty-stricken little town at the edge of a large tract of moorland, where he served as a rector and chairman of the parish committee.

The lonely purple moors became one of the most important shaping forces in the life of the Bronte sisters. Their parsonage home, a small house, was of grey stone, two stories high. The front door opened almost directly on to the churchyard. In the upstairs was two bedrooms and a third room, scarcely bigger than a closet, in which the sisters played their games. After their mother died in 1821, the children spent most of their time in reading and composition. To escape their unhappy childhood, Anne, Emily, Charlotte, and their brother Branwell (1817-1848) created imaginary worlds - perhaps inspired by Jonathan Swift's Gulliver's Travels (1726). Emily and Anne created their own Gondal saga, and Bramwell and Charlotte recorded their stories about the kingdom of Angria in minute notebooks. After failing as a paiter and writer, Branwell took to drink and opium, worked then as a tutor and assistant clerk to a railway company. In 1842 he was dismissed and joined his sister Anne at Thorp Green Hall as a tutor. His affair with his employer's wife ended disastrously. He returned to Haworth in 1845, where he rapidly declined and died three years later.

Between the years 1824 and 1825 Emily attended the school at Cowan Bridge with Charlotte, and then was largely educated at home. Her father's bookshelf offered a variety of reading: the Bible, Homer, Virgil, Shakespeare, Milton, Byron, Scott and many others. The children also read enthusiastically articles on current affairs and intellectual disputes in Blackwood's Edinburgh Magazine, Fraser's Magazine, and Edinburgh Review.

In 1835 Emily Bronte was at Roe Head. There she suffered from homesickness and returned after a few months to the moorland scenery of home. In 1837 she became a governess at Law Hill, near Halifax, where she spent six months. Emily worked at Miss Patchet's shdoll - according to Charlotte - "from six in the morning until near eleven at night, with only one half-hour of exercise between" and called it slavery. To facilitate their plan to keep school for girls, Emily and Charlotte Bronte went in 1842 to Brussels to learn foreign languages and school management. Emily returned on the same year to Haworth. In 1842 Aunt Branwell died. When she was no longer taking care of the house and her brother-in-law, Emily agreed to stay with her father.

Unlike Charlotte, Emily had no close friends. She wrote a few letters and was interested in mysticism. Her first novel, Wuthering Heights (1847), a story-within-a-story, did not gain immediate success as Charlotte's Jane Eyre, but it has acclaimed later fame as one of the most intense novels written in the English language. In contrast to Charlotte and Anne, whose novels take the form of autobiographies written by authoritative and reliable narrators, Emily introduced an unreliable narrator, Lockwood. He constantly misinterprets the reactions and interactions of the inhabitants of Wuthering Heights. More reliable is Nelly Dean, the housekeeper, who has lived for two generations with the novel's two principal families, the Earnshaws and the Lintons.

Lockwood is a gentleman visiting the Yorkshire moors where the novel is set. At night Lockwood dreams of hearing a fell-fire sermon and then, awakening, he records taps on the window of his room. "... I discerned, obscurely, a child's face looking through the window - terror made me cruel; and, finding it useless to attempt shaking the creature off, I pulled its wrist on the broken pane, and rubbed it to and fro till the blood ran down and soaked the bedclothes: still it wailed, "Let me in!" and maintained its tenacious gripe, almost maddening me with fear." The hands belong to Catherine Linton, whose eerie appearance echo the violent turns of the plot. In a series of flashbacks and time shifts, Bronte draws a powerful picture of the enigmatic Heathcliff, who is brought to Heights from the streets of Liverpool by Mr Earnshaw. Heathcliff is treated as Earnshaw's own children, Catherine and Hindley. After Mr. Earnshaw's death Heathcliff is bullied by Hindley and he leaves the house, returning three years later. Meanwhile Catherine marries Edgar Linton. Heathcliff 's destructive force is unleashed. Catherine dies giving birth to a girl, another Catherine. Heathcliff curses his true love: "... Catherine Earnshaw, may you not rest, as long as I am living! You said I killed you - haunt me then!" Heathcliff marries Isabella Linton, Edgar's sister, who flees to the south from her loveless marriage. Their son Linton and Catherine are married, but the always sickly Linton dies. Hareton, Hindley's son, and the young widow became close. Increasingly isolated and alienated from daily life, Heathcliff experiences visions, and he longs for the death that will reunite him with Catherine.

Wuthering Heights has been filmed several times. William Wyler's version from 1939, starring Merle Oberon as Cathy and Laurence Olivier as Heathcliff, is considered on of the screen's classic romances. However, the English writer Graham Greene criticized the reconstructing of Emily Bronte (1818-1848) was born in Thornton, Yorkshire, in the north of England. Her father, the Rev. Patrick Bronte, had moved from Ireland to Weatherfield, in Essex, where he taught in Sunday school. Eventually he settled in Yorkshire, the centre of his life's work. In 1812 he married Maria Branwell of Penzance. Patrick Bronte loved poetry, he published several books of prose and verse and wrote to local newspapers. In 1820 he moved to Hawort, a poverty-stricken little town at the edge of a large tract of moorland, where he served as a rector and chairman of the parish committee.

The lonely purple moors became one of the most important shaping forces in the life of the Bronte sisters. Their parsonage home, a small house, was of grey stone, two stories high. The front door opened almost directly on to the churchyard. In the upstairs was two bedrooms and a third room, scarcely bigger than a closet, in which the sisters played their games. After their mother died in 1821, the children spent most of their time in reading and composition. To escape their unhappy childhood, Anne, Emily, Charlotte, and their brother Branwell (1817-1848) created imaginary worlds - perhaps inspired by Jonathan Swift's Gulliver's Travels (1726). Emily and Anne created their own Gondal saga, and Bramwell and Charlotte recorded their stories about the kingdom of Angria in minute notebooks. After failing as a paiter and writer, Branwell took to drink and opium, worked then as a tutor and assistant clerk to a railway company. In 1842 he was dismissed and joined his sister Anne at Thorp Green Hall as a tutor. His affair with his employer's wife ended disastrously. He returned to Haworth in 1845, where he rapidly declined and died three years later.

Between the years 1824 and 1825 Emily attended the school at Cowan Bridge with Charlotte, and then was largely educated at home. Her father's bookshelf offered a variety of reading: the Bible, Homer, Virgil, Shakespeare, Milton, Byron, Scott and many others. The children also read enthusiastically articles on current affairs and intellectual disputes in Blackwood's Edinburgh Magazine, Fraser's Magazine, and Edinburgh Review.

In 1835 Emily Bronte was at Roe Head. There she suffered from homesickness and returned after a few months to the moorland scenery of home. In 1837 she became a governess at Law Hill, near Halifax, where she spent six months. Emily worked at Miss Patchet's shdoll - according to Charlotte - "from six in the morning until near eleven at night, with only one half-hour of exercise between" and called it slavery. To facilitate their plan to keep school for girls, Emily and Charlotte Bronte went in 1842 to Brussels to learn foreign languages and school management. Emily returned on the same year to Haworth. In 1842 Aunt Branwell died. When she was no longer taking care of the house and her brother-in-law, Emily agreed to stay with her father.

Unlike Charlotte, Emily had no close friends. She wrote a few letters and was interested in mysticism. Her first novel, Wuthering Heights (1847), a story-within-a-story, did not gain immediate success as Charlotte's Jane Eyre, but it has acclaimed later fame as one of the most intense novels written in the English language. In contrast to Charlotte and Anne, whose novels take the form of autobiographies written by authoritative and reliable narrators, Emily introduced an unreliable narrator, Lockwood. He constantly misinterprets the reactions and interactions of the inhabitants of Wuthering Heights. More reliable is Nelly Dean, the housekeeper, who has lived for two generations with the novel's two principal families, the Earnshaws and the Lintons.

Lockwood is a gentleman visiting the Yorkshire moors where the novel is set. At night Lockwood dreams of hearing a fell-fire sermon and then, awakening, he records taps on the window of his room. "... I discerned, obscurely, a child's face looking through the window - terror made me cruel; and, finding it useless to attempt shaking the creature off, I pulled its wrist on the broken pane, and rubbed it to and fro till the blood ran down and soaked the bedclothes: still it wailed, "Let me in!" and maintained its tenacious gripe, almost maddening me with fear." The hands belong to Catherine Linton, whose eerie appearance echo the violent turns of the plot. In a series of flashbacks and time shifts, Bronte draws a powerful picture of the enigmatic Heathcliff, who is brought to Heights from the streets of Liverpool by Mr Earnshaw. Heathcliff is treated as Earnshaw's own children, Catherine and Hindley. After Mr. Earnshaw's death Heathcliff is bullied by Hindley and he leaves the house, returning three years later. Meanwhile Catherine marries Edgar Linton. Heathcliff 's destructive force is unleashed. Catherine dies giving birth to a girl, another Catherine. Heathcliff curses his true love: "... Catherine Earnshaw, may you not rest, as long as I am living! You said I killed you - haunt me then!" Heathcliff marries Isabella Linton, Edgar's sister, who flees to the south from her loveless marriage. Their son Linton and Catherine are married, but the always sickly Linton dies. Hareton, Hindley's son, and the young widow became close. Increasingly isolated and alienated from daily life, Heathcliff experiences visions, and he longs for the death that will reunite him with Catherine.

Wuthering Heights has been filmed several times. William Wyler's version from 1939, starring Merle Oberon as Cathy and Laurence Olivier as Heathcliff, is considered on of the screen's classic romances. However, the English writer Graham Greene criticized the reconstructing of the Yorkshire moors in the Conejo Hills in California. "How much better they would have made Wuthering Heights in France," wrote Greene. "They know there how to shoot sexual passion, but in this Californian-constructed Yorkshire, among the sensitive neurotic English voices, sex is cellophaned; there is no egotism, no obsession.... So a lot of reverence has gone into a picture which should have been as coarse as a sewer." (Spectator, May 5, 1939) Luis Bunñuel set the events of the amour fou in an arid Mexican landscape. The music was based on melodies from Tristan and Isolde by Richard Wagner. the Yorkshire moors in the Conejo Hills in California. "How much better they would have made Wuthering Heights in France," wrote Greene. "They know there how to shoot sexual passion, but in this Californian-constructed Yorkshire, among the sensitive neurotic English voices, sex is cellophaned; there is no egotism, no obsession.... So a lot of reverence has gone into a picture which should have been as coarse as a sewer." (Spectator, May 5, 1939) Luis Bunñuel set the events of the amour fou in an arid Mexican landscape. The music was based on melodies from Tristan and Isolde by Richard Wagner.

 

 

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Pope was born in the City of London to Alexander (senior, a linen merchant) and Edith (née Turner) Pope, who were both Roman Catholics. Pope's education was affected by the laws in force at the time upholding the status of the established Church of England, which banned Catholics from teaching on pain of perpetual imprisonment. Pope was taught to read by his aunt and then sent to two surreptitious Catholic schools, at Twyford and at Hyde Park Corner. Catholic schools, while illegal, were tolerated in some areas.

From early childhood he suffered numerous health problems, including Pott's disease[3] (a form of tuberculosis affecting the spine) which deformed his body and stunted his growth, no doubt helping to end his life at the relatively young age of 56. He never grew beyond 1.37 metres (4 feet 6 inches) tall. Although he never married, he had many women friends and wrote them witty letters.

In 1700, his family was forced to move to a small estate in Binfield, Berkshire due to strong anti-Catholic sentiment and a statute preventing Catholics from living within 10 miles of either London or Westminster. Pope would later describe the countryside around the house in his poem Windsor Forest.

With his formal education now at an end, Pope embarked on an extensive campaign of reading. As he later remembered: "In a few years I had dipped into a great number of the English, French, Italian, Latin, and Greek poets. This I did without any design but that of pleasing myself, and got the languages by hunting after the stories...rather than read the books to get the languages." His very favourite author was Homer, whom he had first read aged eight in the English translation of John Ogilby. Pope was already writing verse: he claimed he wrote one poem, Ode to Solitude, at the age of twelve.

At Binfield, he also began to make many important friends. One of them, John Caryll (the future dedicatee of The Rape of the Lock), was two decades older than the poet and had made many acquaintances in the London literary world. He introduced the young Pope to the aging playwright William Wycherley and to William Walsh, a minor poet, who helped Pope revise his first major work, The Pastorals. He also met the Blount sisters, Martha and Teresa, who would remain lifelong friends.

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